The spherical composition, reminiscent of 16th-century globes, encapsulates a vibrant array of Australian flora, exploring the tension between Western artistic heritage and the unique beauty of the Australian landscape.

Large oil paintings. The work is based on the frescoes of the great Jesuit Perspectivalist of the Baroque era, Andrea Pozzo and his ceiling cycle Saint Ignatius

“This exhibition combines two well known idioms of Baroque fabric and Dutch still lives, the quotation of both genres is equally motivated by their differences and the tensions that their marriage engenders. This allowed the exploration of such themes as the relation of surfaces and form, the eroticism of the fold, the flicker and the blur and significantly the embodiment of the viewer. The images were constructed using a 3D digital Baroque stage . The techniques involved cloth simulation, lighting environment control and image mapping. “The indecipherable reality of McGrath’s images coupled with their multiplicity of visual space, soft focus and rich painterly quality point to a baroque visuality.” M.Gusheh
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This series juxtaposes archival libraries with Australian bushland, weaving themes of memory, nature, and transformation through delicate animal motifs.